Webb Pierce

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Webb Pierce was one of the most popular honky tonk vocalists of the '50s, racking up more number one hits than similar artists like Hank Williams, Eddy Arnold, Lefty Frizzell, and Ernest Tubb. For most of the general public, Pierce -- with his lavish, flamboyant Nudie suits -- became the most recognizable face of country music, as well as all of its excesses; after all, he boasted about his pair of convertibles lined with silver dollars and his guitar-shaped swimming pool. For all of his success, Pierce never amassed the reputation of his contemporaries, even though he continued to chart regularly well into the '70s. Webb's weakness for gaudy ornaments of his wealth, as well as his reluctance to break away from hardcore honky tonk, meant that he had neither supporters in the industry, nor the ability to sustain the ever-changing tastes of a popular audience. Nevertheless, he remains one of the cornerstone figures of honky tonk, both for his success and his artistic achievements.

As a child in West Monroe, LA, Pierce became infatuated with Gene Autry films and his mother's hillbilly records, particularly those of Jimmie Rodgers and various Western swing and Cajun groups. He began to play guitar before he was a teenager. At the age of 15, he was hired as a singer by Monroe's KMLB. During World War II, Pierce enlisted in the Army. While he was in the service, he married Betty Jane Lewis; their wedding was in June of 1942. After he was discharged, Webb and his wife moved back to Monroe, but by 1944 he moved to Shreveport. Getting a job at Sears Roebuck, Pierce began singing on radio stations, nightclubs, and dances with Betty Jane. At first, they were featured on an early morning radio show on KTBS, while they would perform in the evening at clubs. It took them five years before they were noticed by the industry. In 1949, the California-based 4 Star Records signed the duo under separate recording contracts. Webb signed under his own name, while his wife was signed for duets with her husband under the name Betty Jane and Her Boyfriends. However, success didn't come to the duo -- it only came for Webb; in the summer of 1950, the couple divorced.

In late 1949, Pierce accepted a spot on the Louisiana Hayride, a radio program on KWKH that was instrumental in launching the careers of many country artists. Webb began to assemble a band of local Shreveport musicians, which included recruiting pianist Floyd Cramer, guitarist/vocalist Faron Young, bassist Tillman Franks, and vocalists Teddy and Doyle Wilburn. The Wilburns and Franks all wrote songs, which provided the basis for Webb's initial set list. Pierce also founded a record label called Pacemaker and Ark-La-Tex Music, a publishing company, with Horace Logan, the director of the Louisiana Hayride. On Pacemaker, Pierce made several records between 1950 and 1951. They weren't designed to be big sellers -- they were created with the intent of attracting radio play around Louisiana. In 1951, he was able to get out of his 4-Star contract and Decca Records signed him immediately. Webb's second single, "Wondering," became his breakthrough hit, climbing to number one early in 1952. After the single became a hit, Pierce left Louisiana for Nashville, where he met and married his second wife, Audrey Greisham. In June of 1952, he had his second number one single with "That Heart Belongs to Me." The following September, the Grand Ole Opry needed to fill the vacancy left by the firing of Hank Williams, so they invited Pierce to join the cast. After Williams' death, Pierce became the most popular singer in country music. For the next four years, every single he released hit the Top Ten, with a total of ten reaching number one, including "There Stands the Glass" (1953), "Slowly" (1954), "More and More" (1954), and "In the Jailhouse Now" (1955).